So basically, if it weren't for the cape... and the car... and the whole bat thing, Josh would be totally down with you.

Well. I’ve just reread your (monster-size) post, and – if you’ll forgive me the annoying workshoppy word – you’ve given me a lot to unpack here. I want to touch on two points before I call it a night.

You say that you don’t doubt that superhero movies could be great but that “they haven’t been yet.”

Are you sure you really believe that? It’s awfully early to take such a conciliatory tone.

So for, er, textual evidence, you point to the first half of Batman Begins, saying that you dug it for the first half, but that it fell apart for you when the Scarecrow showed up.

Um, you mean the part where it actually feels like a comic book?? Because as far as I remember, the first half of Batman Begins (the origin story, the study under Ra’s Al Ghul) plays first as a drama, then a tragedy, and finally as warrior training camp starring Christian Bale as young grasshopper. In short, the first half isn’t fantastical or implausible (implausible, at least, according to the rules of our real-life, sans-superhero mortal plane).

So what you’re saying is, that particular comic book movie failed once it fully embraced its comic book elements. Because it embraced its comic book elements.

And for his next trick, watch Josh chase his own tail!

Point two coming up shortly…

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

A graduate of the Michener Center for Writers at the University of Texas, Kimberley has written about film, books, and pop culture for The Austin Chronicle since 2000. She was named Editor of the Chronicle in 2016; she previously served as the paper’s Managing Editor, Screens Editor, Books Editor, and proofreader. Her work has been awarded by the Association of Alternative Newsmedia for excellence in arts criticism, team reporting, and special section (Best of Austin). The Austin Alliance for Women...