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Bresson’s last film is a contemporary story (adapted from a Tolstoy novella) about capitalism and modernity. Many critics regard it as the very best film of the Eighties.
This article appears in September 15 • 2000.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
