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Expanding on his previous film La Tarea, Hermosillo again uses the structure of a student completing an assignment for a film class, in which the rehearsal of a sex scene leads to an actual sex scene, which, in turn, reveals other interpersonal complexities.
This article appears in March 22 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
