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Gilliam goes medieval again in this follow-up to Holy Grail that’s strong on atmosphere and bodily-function humor yet short on plot. The print, however, is newly restored.
This article appears in 2001.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
