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Dovzhenko followed up his masterwork Earth with this story about a boy’s progress from peasant hut to workers’ school. The film reiterates many of Dovzhenko’s familiar motifs as it examines the natural rhythms of country life.
This article appears in September 20 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
