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A polemical indictment of neocolonialism, this four-hour-plus documentary (that represents the first conscious expression of the Third Cinema movement) was made to be shown in clandestine settings and presents a collage of newsreel and newly filmed material.
This article appears in March 23 • 2001.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
