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With a translation by Boris Pasternak, this Russian version of the Shakespearean play emphasizes an “active” Hamlet rather than a conflicted Freud-driven hero. The music and camerawork stresses the epic.
This article appears in November 9 • 2001.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
