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The original Ghostbusters mined the comedy-horror genre way before it became the fashionably ironic and overused format it is today. The comedy here is solid-gold, Bill Murray is in peak form, and the effects are a lot of fun. Get slimed.
This article appears in July 16 • 1999 (Cover).
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
