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In this British sex farce, three first-time filmmakers make four different versions of their film in order to meet the demands of their various backers.
This article appears in September 13 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
