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Bill Daniel’s 16mm Dumpster Beatnik Workshop is a one-day workshop on “instant, no-cost film (dis)assemblage,” or in other words, the direct mechanical manipulation of appropriated film footage for artistic ends.
This article appears in July 6 • 2001.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
