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Dovzhenko’s wartime documentary incorporates footage of the invasion of the Ukraine taken by German cameramen but later captured by the Soviets. The film includes scenes of the counterattack, as well as scenes of the battlefield cooperation between Ukrainian and Czechoslovakian troops.
This article appears in October 4 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
