Posted inScreens
Apple TV Announces Debut Date for McConaughey and Harrelson’s Austin-Made Metafictional Comedy
Locally shot series Brothers will hit streaming service in September
Screens
Posted inFilm Review
Leviticus Review: Nowhere to Run in a Small Town
Australian queer horror depends on strong performances and a powerful metaphor
Posted inFilm Review
The Death of Robin Hood Review: The Weight of Being a Legend
Hugh Jackman treads a new path for the outlaw to become a hero
Posted inFilm Review
The Currents Review: Drowning in Life
Hidden depths in this Argentinian psychological study of a woman in full collapse
Posted inScreens
Black Auteur Film Festival Builds on Community
Austin’s only Black film festival returns to AFS Cinema with stories of identity and belonging
Posted inFilm Review
Girls Like Girls Review: Endless Summer
Hayley Kiyoko turns her viral hit into a moody, sapphic coming-of-age film
Posted inScreens
Farewell (for Now) to the Paramount
The grande dame of Congress Avenue enters 11 months of renovations, so how does that affect your favorite shows and festivals?
Posted inFilm Review
Jinsei Review: Traveling Over Many Years and Many Names
First-time director Ryuya Suzuki’s solo animated feature stuns visually but stumbles in its storytelling
Posted inFilm Review
The Furious Review: Hit ’Em Everywhere It Hurts
Modern martial arts icons Xie Miao and Joe Taslim team up to take down child slavers in this nonstop bonecruncher
Posted inScreens
Austin Film Festival Goes Hogg Wild With On The Road Series
Fest expands to UT campus this October and announces first programming
Posted inFilm Review
Disclosure Day Review: Close Encounters of the Emotional Kind
The master returns to the awe-inspiring cinema of his early days with depth and maturity
Posted inScreens
Alejandro Hendricks Takes Airport BLVD From East Austin to Tribeca
Austin filmmaker examines our complicated relationship with change in his debut feature