When Bill Hicks was really on which, toward the end of his far-too-brief 32 years, was nearly all the time he was on fire; hearing him unload on the Gulf War or the religious right or advertising hacks was like having your ears blistered by a dragon a brainy, exceedingly funny dragon. And people reveled in it. Especially in Britain, where Hicks was more a rock star than the comedy-club joke jockey he was in his homeland. Directors (and UK natives) Harlock and Thomas get Hicks, the way disciples do a guru, and they want everyone to. Thus, their film diligently tracks Hicks’ evolution from suburban Houston class clown to fledgling stand-up to thinking man’s comic, using film and ingeniously animated archival photos that are like Ken Burns by way of Terry Gilliam. They bring Hicks back to life, his rants still sounding fresh and brilliant. Scorched ears never felt so good. (This review originally ran in the March 19, 2010 issue as part of the SXSW Film Festival 10 coverage.)
This article appears in April 22 • 2011.
