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Alvin Purple is a salient example of the Australian “ocker” genre of the early Seventies – a group of films generally described as urban sexploitation comedies. In this film, all woman are irresistibly drawn to Alvin.
This article appears in July 5 • 2002.
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Marjorie Baumgarten is a film critic and contributing writer at The Austin Chronicle, where she has worked in many capacities since the paper's founding in 1981. She served as the Chronicle's Film Reviews editor for 25 years. More by Marjorie Baumgarten
