Nashville

Criterion Collection, $39.95 (Blu-ray + DVD)

So many of Robert Altman’s films have the sensation of a circus: the sprawling casts, the overlapping sounds that confuse and tickle the ear, the audience’s held breath at a high-wire act. (There were plummets to Earth, certainly; is there another great American director with so many zeros on his ledger?) Nashville is the big top, with two-dozen “main” characters sharing the frame – and sometimes a stage, other times a bed – for this geographically specific, micro-in-the-macro illumination of the cultural and political unrest of the times. In an interview (one of three included on Criterion’s new release), Altman recalled getting a call from The Washington Post when John Lennon was shot in 1980 – five years after Nashville‘s climactic assassination of a celebrity singer – and being asked if he felt responsible for the bullet. Altman’s retort, prickly, shrewdly turned: “I said, ‘I don’t think you should blame me for the assassination. I think you might blame yourself for not listening to my warning.'”

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A graduate of the Michener Center for Writers at the University of Texas, Kimberley has written about film, books, and pop culture for The Austin Chronicle since 2000. She was named Editor of the Chronicle in 2016; she previously served as the paper’s Managing Editor, Screens Editor, Books Editor, and proofreader. Her work has been awarded by the Association of Alternative Newsmedia for excellence in arts criticism, team reporting, and special section (Best of Austin). The Austin Alliance for Women...