The Social Network

1) The Social Network Proof that Hollywood can still put out exceptionally well-crafted and invigorating adult drama. More, please.

2) Black Swan Melodrama and menace running a very high fever.

3) Everyone Else Blue Valentine sounds tin-eared next to this German exploration of a young couple’s seesaw between kind and cruel, crazy in love, and just plain crazy.

Red Riding Trilogy

4) Red Riding trilogy A monumental profiling of police corruption and gutter-gumming human depravity. So under-the-skin there’s just no washing it out.

5) Monsters An elegant and understated creeper about creatures from beyond and creatures from within.

Toy Story 3

6) Toy Story 3 You say you didn’t cry? I say you’re a damned dirty liar.

7) Winter’s Bone The clear-eyed contributions of Jennifer Lawrence, John Hawkes, and Dale Dickey buoyed this bleak drama from its occasional bobbles into Ozarks cornpone.

8) It’s Kind of a Funny Story Would that all films targeted at teens were as sweet and stirring as Anna Boden and Ryan Fleck’s overlooked dramedy.

9) The Exploding Girl Zoe Kazan knocked my socks off in this microindie about a young woman negotiating heartbreak and chronic disease.

Scott Pilgrim vs. the World

10) Scott Pilgrim vs. the World It boggles the mind that audiences couldn’t be bothered with the summer’s most cacophonous comedy. Play again.


NEAR MISSES

Another Year, Four Lions, The Fighter,
I Am Love, Fish Tank


MOST OVERRATED

Somewhere

127 Hours, Salt, Somewhere


MOST UNDERRATED

It’s Kind of a Funny Story, Monsters, Scott Pilgrim vs. the World


ACTING KUDOS (MALE)

Jesse Eisenberg (The Social Network), Colin Firth (The King’s Speech), Geoffrey Rush (The King’s Speech), Christian Bale (The Fighter), John Hawkes (Winter’s Bone)


ACTING KUDOS (FEMALE)

Jennifer Lawrence (Winter’s Bone), Zoe Kazan (The Exploding Girl), Lesley Manville (Another Year), Tilda Swinton (I Am Love), Katie Jarvis (Fish Tank)


BEST DIRECTOR

David Fincher (The Social Network), Gareth Edwards (Monsters), Maren Ade (Everyone Else)


BEST SCREENPLAY (ORIGINAL)

Four Lions (Jesse Armstrong, Sam Bain, Chris Morris), Greenberg (Noah Baumbach), The Kids Are All Right (Stuart Blumberg, Lisa Cholodenko)


BEST SCREENPLAY (ADAPTED)

Toy Story 3 (Michael Arndt), The Social Network (Aaron Sorkin), Red Riding trilogy (Tony Grisoni)


WORST FILM

Comedy, the categorical imperative, and Steadicams all took a beating in The Virginity Hit, a cynically marketed and roundly rotten teen movie.


WILD CARD

The Kids Are All Right

Are You Down?: Oral sex was an equal opportunity employer – finally! – this year, with The Kids Are All Right, Blue Valentine, I Am Love, and Black Swan all exploring sexuality from the ladies’ vantage point.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

A graduate of the Michener Center for Writers at the University of Texas, Kimberley has written about film, books, and pop culture for The Austin Chronicle since 2000. She was named Editor of the Chronicle in 2016; she previously served as the paper’s Managing Editor, Screens Editor, Books Editor, and proofreader. Her work has been awarded by the Association of Alternative Newsmedia for excellence in arts criticism, team reporting, and special section (Best of Austin). The Austin Alliance for Women...