Alex Jones Credit: Jana Birchum

Years ago, when I was still at the Chronicle news desk, I got a phone call from Mike Hanson, who at the time was Alex Jonesโ€™ main โ€œproducer,โ€ sidekick, and chief personal promoter. Iโ€™m not sure of the year, but it was before the 2012 Sandy Hook school massacre. At the time, the Jones bullhorn was devoted primarily to proclaiming โ€œ9/11 was an inside job.โ€ 

Hanson wasnโ€™t calling about that; this was sort of a chest-beating marketing call. Jones was about to launch a weekly newspaper in Austin, and Hanson wanted to let me know that Infowars was coming specifically for the Chronicle. โ€œYouโ€™ll be out of business in six months,โ€ Hanson warned me. Indeed, over the next few weeks, vending boxes with the new publication appeared around Downtown. (Editorโ€™s note: Mike Hanson vigorously denies this conversation ever happened.)

The vending boxes disappeared just about as quickly. My amateur Google searches now fail to provide evidence that Jonesโ€™ newsweekly ever existed. Meanwhile, the Chronicle โ€“ like every print publication, somewhat diminished by something called the โ€œWorld Wide Webโ€ โ€“ soldiers on. Hanson no longer works for Jones, and in his new book โ€“ The Madness of Believing: A Memoir From Inside Alex Jonesโ€™s Conspiracy Machine โ€“ former Infowars video editor and field producer Josh Owens suggests the two men are semi-estranged. Nevertheless, Hanson apparently still devotes time and energy to documenting his Jones-related history. Somebody has to do it, I guess.

In a much better world, Jonesโ€™ entire history would instead disappear into oblivion. At the moment, heโ€™s in the news again, for a couple of headline reasons. Like a handful of other right-wing grifters (Tucker Carlson, Candace Owens [no relation to Josh], Marjorie Taylor Greene), heโ€™s suddenly lost his enthusiasm for Donald Trump (primarily over the war on Iran), and Trump has responded nastily in kind. More importantly, it appears that a modicum of justice has finally arrived for the Newtown, Connecticut families that Jones viciously vilified and harassed in the aftermath of their childrenโ€™s murders at the Sandy Hook elementary school. The families eventually sued, and Jones repeatedly lost in court, but Jonesโ€™ lawyers managed to win endless delays.

Jones still owes the Sandy Hook families somewhere in the neighborhood of $1.5 billion. If the latest judgment is confirmed, Infowars and all its assets will eventually transfer to the owners of the satirical news site, The Onion โ€“ which has already posted an Infowars parody site that hopes to usher Jones and his legacy into permanent, clownish disrepute. (Inaugural Onion headline: โ€œTURN YOUR PISS INTO GOLDโ€) 

That part of the tale isnโ€™t told directly in The Madness of Believing, as Josh Owens says he wasnโ€™t there when the Sandy Hook story broke and wasnโ€™t involved in any subsequent coverage. That sounds more than a little disingenuous; the Sandy Hook legal aftermath was part and parcel of the Infowars and Jones story for more than a decade, and impossible to ignore. Nevertheless, Owens delivers enough revelations about the scurrilous Jones โ€œnewsโ€ factory to re-confirm the actual meaning of โ€œconspiracy theoriesโ€ at Infowars: lying for money, by the mail-order truckload.

To a degree, The Madness of Believing reads like a classic coming-of-age tale, almost Dickensian in its narrative structure. A Young Man from the Provinces (film school in Georgia) seeks his fortune in the Big City of Austin, only to fall under the spell of a Sinister Confidence Man, who uses him for his nefarious purposes, until the scales finally fall from Our Heroโ€™s eyes. There are many early hints that the SCM is not what he seems, but It takes Owens four years โ€“ 2013 to 2017 โ€“ to come to his senses. He does so thanks to the love of a good, wise woman and the loyalty of a clear-eyed friend. 

After some bittersweet therapy (โ€œThe guilt clawed at me, insistent and unyieldingโ€) summarized in his prologue, Owens has apparently spent the years since learning how to write a book.

The results are mixed. His most important testimony concerns the field โ€œreportingโ€ jobs he undertook at Jonesโ€™ direction, and which generally consisted of manufacturing hateful and fear-mongering incidents with little or no connection to reality. On his first day, heโ€™s instructed how to doctor sources onscreen in order to mislead viewers. Before too long, heโ€™s assigned field reports that begin with some kernel of actual news that can readily be spun into a fantasy of terror and outrage.

Dangerous Fukushima radiation rumored on the California coast? Canโ€™t find the evidence, produce the confirmation story anyway (thereโ€™s anti-radiation nostrums to sell). Friendly, self-sufficient Muslim community in upstate New York? At Jonesโ€™ direction, Owens and his colleagues produce footage that confirms Jonesโ€˜ presupposition: Itโ€™s a terrorist training camp. With Muslims and Central American immigrants rapidly becoming the right-wingโ€™s Public Enemies 1 & 2 โ€“ and Jones is nothing if not sensitive to reactionary, racist trends โ€“ Owens and other Info-warriors begin generating multiple bogus tales of Invaders from the South.

Although he largely sidesteps the Sandy Hook disgrace, Josh Owens is to be commended for exposing in some detail the internal workings of Jonesโ€™ garbage-dump operation of bullying, hate, and lies.

In a particularly ridiculous episode, Owens films another โ€œreporterโ€ dressed as an ISIS terrorist, complete with fake scimitar and rubber severed head, apparently crossing the Rio Grande. (Itโ€™s actually a nearby U.S. stream, because the producers realize the river itself is in fact too heavily patrolled.) Jones says the โ€œstuntโ€ โ€“ which of course goes viral online โ€“ serves to confirm that โ€œthe border is wide open.โ€ What it in fact demonstrates is the willingness of Jones and the Infowars group, including Owens, to generate dishonest, race-baiting hysteria for an audience ravenous to consume it.

Eventually, the repetitive dishonesty pushes Owens to look for an exit, and thanks to his clear-eyed girlfriend, and despite Jonesโ€™ pleading (and a dubious non-disclosure agreement), he leaves the job. Befriended by British writer Jon Ronson, Owens tips Ronson that Jonesโ€™ heroic โ€œorigin storyโ€ โ€“ that he fled his Rockwall high school after exposing some corrupt cops โ€“ is also bogus. Ronson discovers that in fact, Jones was a vicious bully whose classmates eventually took revenge, and Jonesโ€™ father decided to move the family to Austin to protect him.

Owens has been praised as a โ€œwhistleblower,โ€ but for anyone who was paying attention, the klaxon on Jones and Infowars sounded decades ago. The Madness of Believing confirms what any sane Austinite (to Jones, liberal โ€œtrendiesโ€) realized long ago. Alex Jones is an unscrupulous fantasist who, like generations of American confidence grifters, rediscovered the online version of a very old principle: You can fool some of the people all of the time โ€“ and if you are quite unscrupulous, you can become fabulously rich in the process.

Owensโ€™ time at Infowars coincided with Jonesโ€™ discovery that the quickest way to grotesque wealth was in direct sales of quack remedies to the rubes. The most-hyped products were usually linked to doomsday prepping: tinctures of iodine, colloidal silver, virility and โ€œbrain-buildingโ€ nostrums, as well as โ€œpatrioticโ€ prepper gear from tents to buckets of freeze-dried food. When the cash stream slowed, like any Sunday morning TV preacher, Jones would call for โ€œmoney bombsโ€ of viewer donations, screaming variations of, โ€œIf you donโ€™t help now, the globalists will crush us โ€ฆโ€

Are there indeed enough credulous people in the U.S. to sustain such flagrant, transparent con games? For evidence, consider only the current ultra-grifting occupant of the White House. Jones was initially skeptical of Trump, but then stuck his finger in the MAGA wind and realized there was mucho money to be made among the deplorables. Groomed by longtime GOP gangster Roger Stone, Jones got Trump to appear on his show โ€“ and Big Daddy stroked Little Alex.

Of course, they were made for each other. Trump is just Jones writ large, with an inherited kick-start, a trash-TV Unreality Show, and the consequently inevitable star treatment from corporate media. Jones rose from cable-access obscurity to a ride on the Austin โ€œweirdnessโ€ credulity wave. Initially, the cool kids treated him like the village eccentric, good for ranting film cameos and a little spice of nominally outsider culture. As his rhetoric grew more hateful โ€“ Jones having discovered the sewer where the big money flows โ€“ locals began to distance themselves, as from the noisome drunk at a party of stoners.

But he didnโ€™t need them anymore. 

Of all Jonesโ€™ relentless, vicious lies, the denial of the Sandy Hook school massacre was the most heartless and most egregious. It was useful to Jones, because it amply fed his โ€œsecret governmentโ€ fantasies. More importantly, it fed his relentless promotion of guns, utterly fictionalized โ€œgun rights,โ€ and the completely bogus hysteria that official โ€œdemonsโ€ (e.g. Obama and Hillary) were coming to take his credulous viewersโ€™ guns. Those lies required inventing whole-hog the notion that the bloody, grotesque massacre, of schoolchildren and their teachers (by an also gun-obsessed and seriously disturbed young man) was instead a manufactured โ€œfalse flagโ€ operation involving all levels of government and, even more viciously, the bereaved parents of the murdered children โ€“ who were either โ€œcrisis actorsโ€ who lived on unharmed, or who never existed at all. 

Jones was not alone in promoting this absolute nonsense โ€“ it became an ongoing industry among the hustlers who deal in this lucrative horseshit โ€“ but he had the loudest online bullhorn, and he encouraged and amplified vicious harassment of the families, some of which reportedly continues to this day. 

But the families heroically fought back, at great cost and personal risk, repeatedly defeating the disingenuous Jones in court, bankrupting him (in theory) and forcing a legal disgorgement of his assets. It remains to be seen whether Jones will in fact pay some or all of the estimated $1.5 billion judgment โ€“ like the Grifter-in-Chief, heโ€™s learned how to orgiastically abuse the legal process. In the short term, The Onion has achieved effective control of Infowars, but Jones has reportedly absconded with some of his broadcasting equipment, and like a cartoon villain, has vowed to rise again.

Of course, neither Jones nor Trump is a new American phenomenon. We have always been richly plagued by brazen confidence men and shameless hustlers, commercial, religious, and political (often in combination). They have lived devoted to the principle wryly described long ago by H.L. Mencken: โ€œNo one in this world, so far as I know โ€“ and I have searched the records for years, and employed agents to help me โ€“ has ever lost money by underestimating the intelligence of the great masses of the plain people. Nor has anyone ever lost public office thereby.โ€ Today, among Menckenโ€™s ubiquitous โ€œplain peopleโ€ we can certainly include the phalanx of arrogant and ignorant tech-and-crypto billionaires underwriting the Toxic Orange Regime, as well as the Gold Bugs and Gun Goobers buying colloidal snake oil from Infowars.

Although he largely sidesteps the Sandy Hook disgrace, Josh Owens is to be commended for exposing in some detail the internal workings of Jonesโ€™ garbage-dump operation of bullying, hate, and lies. He took his time to produce this record, and heโ€™s over-generous with โ€œre-createdโ€ dialogue from a decade ago. Nevertheless, the book is a useful addition to the growing literature of Online Griftology. Itโ€™s also an up-close profile of an unstable, unpredictable, brooding, and arbitrary boss. Owens recounts at some length Jonesโ€™ compulsive vodka guzzling and reckless gun-play, in what amounts to a dangerous, living caricature of the โ€œmanlinessโ€ obsession of the MAGA cult.

Austinites should hope that, with some little luck, the now semi-fugitive Jones will find some other venue for his dismal hate factory. Too much to wish for, I suppose. Dating back to Stephen F. Austin, the state of Texas has long welcomed grandiose hustlers in all their leering shamelessness โ€“ itโ€™s a major industry at the Capitol, where Attorney General Ken Paxton is the current champion of amorality, closely followed by Lieutenant Governor Dan Patrick. A braver city should strive periodically to cleanse itself of these money-grubbing parasites. Currently, for example, there is an invasive carpetbagging muskrat that richly deserves expulsion, and half-a-dozen other scurrilous robber barons who have earned a good tar-and-feathering and an escort out of town. 

Alas, one can only dream.


Editorโ€™s note: This piece has been updated since publication to note Mike Hansonโ€™s dispute with Michael Kingโ€™s recollection of a phone conversation.


From 2005-2020, now-retired Austin Chronicle News Editor Michael King wrote about city and state politics from a progressive perspective in his weekly column, โ€œPoint Austin.โ€ Weโ€™re pleased to bring back his column whenever heโ€™s inspired to tackle the state weโ€™re in.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austinโ€™s independent news source for over 40 years, expressing the communityโ€™s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Contributing writer and former news editor Michael King has reported on city and state politics for the Chronicle since 2000. He was educated at Indiana University and Yale, and from 1977 to 1985 taught at UT-Austin. He has been the editor of the Houston Press and The Texas Observer, and has reported and written widely on education, politics, and cultural subjects.