Jake Bugg

Maggie Mae’s Rooftop, March 13

With a song in his heart but no smile on his face, fast-rising British songwriter Jake Bugg took the stage in front of a tightly packed crowd, members of which started calling out for songs before he began. All business, the baby-faced teen simply announced songs, skipping banter – and, indeed, any sense that he was happy to be there – and just played. Fortunately, Bugg’s talent belies any gig fatigue. Even with a sour face, he’s too good to deny. Riding a Johnny Cash rhythm train with his adenoidal vocals and fleet-fingered guitar work, Bugg pulled sharp tunes from the air the way apple farmers pick juicy fruit. With a council housing background, class defiance and the determination to rise above one’s station come naturally, giving folkabilly anthems “Trouble Town,” “Two Fingers,” and “Lightning Bolt” crowd-pleasing allure. “Slide,” a grand ballad in the Noel Gallagher/Richard Ashcroft tradition, and a pair of loud new rockers with flashy solos, demonstrated a wider screen to his vision. Given both the instrumental facility and songwriting acumen pouring out of a kid who’s only 19, the potential for magnificence is almost as exciting as the songs themselves.

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Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.