Six years between albums kills momentum, especially with a three-year delay between recording and release. Austin trio American Sharks make up for the unexpected time shift with pure energy on its sophomore un-slump 11:11. Opening tracks “Let Me Go” and “Spare the Rod” blaze by in a rush that jolts the heart like Red Bull, yet there’s more to the band’s punky metal than just adrenaline. Actual songcraft underpins the thrashing “Landslide” and chugging “White Witch” as the locals show off improved chops, tighter arrangements, and a refined sense of melody. Even so, tempos still stomp like a car with no brakes – or, on “Alcohol” and “KLUDU,” a hippopotamus with attitude – so wild-eyed enthusiasm still rules the performances. There’s a simple confidence that tracks won’t fall into complete chaos, making the material punch harder and more effectively.

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Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.