Webster’s defines borzoi as “any of a breed of large dogs developed in Russia especially for pursuing wolves … Called also Russian wolfhound,” and traces its etymology to “swift.” Parts of A Prayer for War quicken, but this local trio’s first full-length, produced with remarkable clarity by Ian Rundell (Xetas, Spray Paint, Exhalants), excels at post-punk musical brutality. Tracks like “Warheads,” bursting with singer/guitarist Zachary Wood’s ringing harmonics, Rhys Woodruff’s deceptively subtle tom-slam, and Taylor Browne’s nimble bass thud, recall Mission of Burma at its angriest. “The Tonsure Twist” and “Beneath the Boardwalk” skate a punk-funk precipice that proves the Minutemen weren’t in vain. Opener “The South Is Risen” screams “art-punk” while emphasizing the second syllable. This is the most intelligent cement-mixer rock you’ll hear this year.

***.5

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.