Nonconforming percussionist Thor Harris and his idiophone sidekicks don’t so much unleash The Subversive Nature of Kindness as leave the back door open and let it escape. Less frenetic and more melodic than last year’s Thor & Friends, its successor puts as much emphasis on violin and wind-driven instruments as on the bongs and clinks of marimbas and xylophones. Soothing flute tones and haunting strings alleviate the tension in the tornado of vibes on “Dead Man’s Hand,” while the gentle “Resist” slides on the round foops of a homemade clarinet. Vocals pop up wordlessly, Harris’ erstwhile Swans employer adding pitch-shifted nonsense syllables to “Grassfire” that make the burbling tune sound like eavesdropping on an alien coffee date. Decreasing the weirdness of the trio’s previous work while increasing accessibility may strike some as a compromise, but it’s an acceptable one giving Thor & Friends’ unique music easier appeal without staining its soul.

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Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.