Veteran MC Adam Protextor, now going by his surname, makes some of Austin’s more thoughtful, slightly off-kilter alt-rap. The Iowa native has mastered his version of the singsong flow, with its unique herk and jerk. He’s a gifted lyricist, vice-gripping words and emotion into each bar. On Shift, he covers a lot of somewhat uneven ground with heady, conversational, often comical rap. The wordsmith dips into the observational on the jazzy “People in Your Neighborhood” and service-industry ode “The Help.” Paranoia of the Man’s omnipresence sets in on the KB the Boo Bonic-assisted “They Watchin’,” and standout “Third Coast Rising” mid-tempos a thumper reminiscent of Massive Attack, featuring Subkulture Patriots’ Cap’n Kirk, who spits disrespectful bars: “Most of these rappers ain’t got none/ That’s why they stayin’ a convent/ Rappin’ nonsense for profit.” Protextor makes creative use of trap, delving into BDSM on “Marks,” a fun, sex-positive trip. Best offering, dark anti-police burner “Heatstroke” blends fattened bass with a blackened and undulating Beach Boys sample throughout. There’s an economical, no-skip album with a precise message hidden in plain sight. Unfortunately, Shift tips the scales at four or five tracks overweight, lending to its drag and inefficiency.

**.5

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Kahron Spearman is a journalist and writer with bylines including The Austin Chronicle, Austin Monthly, Consequence of Sound, Texas Highways, and the London-based journal The Break-Down. He currently serves as Senior Editor at Atmosphere TV.