Loves It

All We Are (Team Austin)

The eternal hamstring of having too many ideas comes from not knowing whether you’re making floor wax or dessert topping. Such is the all-over fate of Loves It. The road-tested Austin duo’s second full-length goes on a mixed-bag bender of Appalachian-derived folk, honky-tonk tearjerkers, and quirk-laden acoustic pop. That leaves the unadorned, plaintive vocal interplay between Jenny Parrott and Vaughn Walters to tie it all together. After opening with the clever a cappella wordplay of “Katydid,” Parrott takes off on the sweet-sounding jukebox mash note “The Angels Sing.” Her ability to bend and stretch notes for strategic emotive wallop goes a step further on the woeful love triangle ballad, “Choose.” The wry, Conway-and-Loretta humor of “(Would You Like to Be) My First Divorce” and “Western Swing Murder” also hits the mark. It’s tempting to suggest narrowing the focus as a remedy for superfluous half-executions like “Rocketship,” but the acrobatic songwriting instincts also feed genuinely moving meditations like “Peace.” Despite the imperfections of its bric-a-brac veneer, All We Are radiates homespun endearment.

**.5

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Greg Beets was born in Lubbock on the day Richard Nixon was elected president. He has covered music for the Chronicle since 1992, writing about everyone from Roky Erickson to Yanni. Beets has also written for Billboard,Uncut, Blurt, Elmore, and Pop Culture Press. Before his digestive tract cried uncle, he co-published Hey! Hey! Buffet!, an award-winning fanzine about all-you-can-eat buffets.