The Dark Water Hymnal

Collapse the Structure

The Dark Water Hymnal’s previous two releases drew upon the evocative narratives wrought by Jeremy Ballard, but with Collapse the Structure, the locals finally deploy an equally powerful musical purpose. Ballard’s vocals swoon and peel as he unravels a teeth-clenched desperation, opening tracks “Whole City Glows” and “Chandeliers” shot through with a direness rivaling the National. If Ballard only catches broken glimpses of scenes as he thrashes at the world in frustration, Andrea Couch’s violin provides the steadying force that allows the songs to then rebuild, especially on “Wherever We Are.” A Broken Social Scene-like drive pushes past lulls such as “Hold Fast,” while “Center of the Spark” hearkens fellow locals the Lovely Sparrows. Aggressive turns like “The Quiet” and the percussively broiled “Wind and Waves” fit awkwardly, but with Collapse, the Austin quintet breaks out of any self-defeatist mold. DWH dares to be grand, though they’re not yet convinced of it themselves.

***

This article appears in February 25 • 2011.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

SUPPORT US

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.