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Straight-ahead rockers, the local quartet twangs a hand-clapper straight out of the garage (“Teenage Ghost”), then blows said car-park straight to hell in the 1950s gasoline fire of “Rathead Submarine.” 
This article appears in May 28 • 2010.
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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993. More by Raoul Hernandez
