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Local fourpiece, which shares members with the Distant Seconds, summons the Drag-bound New Wave-isms of Raul’s on green vinyl: Eurythmics with clouds in their coffee on the A-side, and a Breeders-esque hook and drive on the flip. 
This article appears in May 28 • 2010.
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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993. More by Raoul Hernandez
