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No frills black vinyl in a white paper sleeve matches the equally scrawny, early-1960s rhythm & rock from these local men in Black, twanging up five minutes of low bangs and high, harp-cut roots. Solid, Jackson, but still just a tease.
This article appears in February 27 • 2009.
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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993. More by Raoul Hernandez
