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by
Doug Freeman
Plying roadhouse rousers and pure Texas honky-tonk, Heinrich’s rough Cash-like bass drawl and sense of humor are thoroughly bred in the barroom. “Drama Queen” and “Too Much Whiskey” pack wry, bottom-of-the-bottle wisdom balanced by the political kick of “The American Wall” and “Yesterday’s News.” “Twenty Thousand Reasons” and “She Grabbed a Knife” offer some rocking country swagger, but little versatility overall.
This article appears in November 28 • 2008.
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Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press. More by Doug Freeman