Royal Thunder

Crooked Doors (Relapse)

Royal Thunder commands a study in contrasts. On Crooked Doors, the Atlanta quartet’s second LP, rumbling doom stomps gracefully as drummer Evan Diprima pounds and bassist Mlny Parsonz weaves. Guitarists Josh Weaver and Will Fiore lay down a blanket of riffs that cut cleanly, rather than fight dirty, for a psychedelic atmosphere that’s more feel than form. “Ear on the Fool” and “Forgive Me, Karma” let in a lightness not usually associated with hard rock, while “Time Machine” and “The Line” keep both the heavy and the melodies churning. “Forget You” and slide guitar-iced “Glow” might find favor on classic rock radio were it ever to play new music. As deftly as the tracks dance, the focal point remains Parsonz, whose cutting howl balances brashness and vulnerability, especially on the piano/strings closer “The Bear II.” Immediate viscerality that rewards close attention. (12mid, Dirty Dog Bar)

****

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.