Marlon Williams’ eponymous solo debut swoons through a versatile landscape of Americana, all the more impressive for the young songwriter’s New Zealand roots. Opener “Hello Miss Lonesome” chugs like Marty Robbins on a western trail to the Sixties power-pop of “After All,” and Southern gothic “Dark Child” bends an eerily low tenor against a haunting, soaring cover of “I’m Lost Without You.” “Lonely Side of Her” and “Silent Passage” tremble high lonesome alongside the stunning take on traditional “When I Was a Young Girl.” Americana may find its best representation in the Kiwi’s broad reach and inclusive interpretation. (2:15pm, Tito’s Handmade Vodka stage)

***.5

This article appears in September 30 • 2016.

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Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.