Founding keyboardist Katie Toupin having departed, Houndmouth totally reinvents its sonics. The remaining core trio sheds the indie-folk sound that defined their previous two LPs in favor of big, bright beats, more synth-pop than Americana ballads. “This Party” and “Waiting for the Night” set the Indiana outfit’s new danceable direction: angst-distraction in an electro-buzz. Phoenix-like hooks abound (bursting “Coast to Coast,” singeing “Black Jaguar”) in aiming for anthemic festival dynamics, even if the effects fascination overpowers substance (closer “World Leader”). Interesting dramatic shift, but Houndmouth are still finding their footing in new territory. (5pm, Barton Springs stage)

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This article appears in October 5 • 2018.

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Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.