Spray Paint

Rodeo Songs (S.S. Records)

Equal parts avant-punk stridency and sun-basted lysergia, Spray Paint cultivates a strangely alluring equilibrium on its second album. Once the initial system shock of the road-hearty Austin trio’s frayed guitar machinations, corrugated tin shack reverb, and salvage yard percussion subsides, the whole sonic package slithers toward sensibility one short, sharp missive at a time. A loose-but-discernable theme centered around low-rent depravity bolsters the narrative. The Southern Gothic guns-and-drugs scene in “Day Sniffer” never gets a full accounting, but the scratched metal guitar repetition approximating either a faulty bug zapper or unbalanced ceiling fan proves harrowingly effective on its own. Likewise, snippets regarding a shady glass-cutter on “Bring Dumpster Back” are fleshed out in the creeping trash-rock maelstrom. “False Cowboys” summons Joy Division’s icy blade until a left turn lands the band in hardcore-era Devo environs. Conditions deteriorate rapidly as the staccato blast furnace “Littering Team” belches forth a fiery froth of cinder and ground-up sinew. “Real Good Smile” employs an inebriated stutter-step rhythm to incant deep-seated disorientation before “Ultimate Umpire” raises the urgency by juxtaposing the jagged ruins of surf and no-wave riffs over a steadfast, oblivion-bound beat. The whole volatile package screams for celluloid exploitation.

***.5

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Greg Beets was born in Lubbock on the day Richard Nixon was elected president. He has covered music for the Chronicle since 1992, writing about everyone from Roky Erickson to Yanni. Beets has also written for Billboard,Uncut, Blurt, Elmore, and Pop Culture Press. Before his digestive tract cried uncle, he co-published Hey! Hey! Buffet!, an award-winning fanzine about all-you-can-eat buffets.