Rising to notoriety behind Tim McGraw hits, the viral self-deprecation of “Asshole,” and as Kacey Musgraves’ husband, Ruston Kelly makes a more official mark with debut LP Dying Star. The Nashville-based artist plays stylistic chameleon, from the pop swell of “Cover My Tracks,” vocoder ballad “Son of a Highway Daughter,” contemporary country hook of “Mockingbird,” and easy rolling stumble odes “Faceplant” and “Blackout.” Kelly’s natural narrative and lyrical talent becomes plain as the album settles behind “Mercury,” “Trying to Let Her,” and “Jericho.” Dying Star fills with gems, even as Kelly remains somewhat elusive. (1:30pm, BMI stage)

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This article appears in October 12 • 2018.

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Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.