Considering the press bio here, Delta Spirit’s blood-covered 2022 LP One Is One sobered Matthew Logan Vasquez. San Diego-born roots emoters, their Texan Hill Country father-of-two spearheaded a sleek, buzzing, fervid sixth full-length. As All Get Out now follows suit. As many solo releases logged, the Dripping Springs twister unleashes equal urgency and vibrancy on his own, but with a fair bit more classic rock. “Over It,” on which MLV outs himself (“To the bully in the band: over it, over it”), confesses an uptempo, Strokesian banger. Likewise, “Can You Turn Me Up” cranks a road burner: driving, rushing, racing. Big riffs, big tempo, big solos, and screams roll down every window. Even so, midpoint between Laurel Canyon call to arms Does What He Wants (2017) and Neil Young-meets-Michael Lee Aday solo spotlight Solicitor Returns (2016), these eight firecrackers pivot on pop pensiveness. “Untouchable” circles back to 2018’s Texas Murder Ballads with a twinkling, grooving, breakdancing shuffler. “Odysseus” sails sonic seas, ebbing beats, and flowing siren song. Crystalline closer “Recognize” strums gentle and restless, primetime Chapin, Lennon, Nilsson. Said aforementioned contextualizer states, “Present day, [MLV’s] writing and recording for himself,” so maybe Delta Spirit’s not looking for studio time presently. No problem. As All Get Out gets there and fast.

Youtube video
Youtube video

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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.