The eighth studio LP from Lukas Nelson and his formidable Promise of the Real band feels intentionally re-emergent. Following the contemplative country meditations that defined 2021’s A Few Stars Apart and 2019’s Turn Off the News (Build a Garden), Nelson swings looser and more comfortably here, more barroom stage than backroad sage. Self-produced, Nelson noted that he wanted songs that could move a crowd, which Sticks and Stones delivers in sound and ethos. The title track immediately kicks in the backbeat and bluesy rip, a country-funk with laid-back electric riffs running into the gospel-tinged send-up of “Alcohallelujah.” Expanding his range, the album showcases Nelson’s voice more prominently than ever before, from low growls to the high-lonesome sustain of “Every Time I Drink.” A centerpiece duet with rising showstopper Lainey Wilson (“More Than Friends”) dishes dueling twang like a Seventies-era classic, while the climbing “Ladder of Love,” reeling “Wrong House,” and throwback honky-tonk of “Icarus” all roll through with an eclectic, effortless rollick. “Lying” is really the only tune that settles down. Trembling with heartbreak, the refrain – “I’d be lying if I said I didn’t wish that I was lying here with you” – presents the best play on words in an album playfully, smartly packed full of them.

Lukas Nelson & Promise of the Real

Sticks and Stones (6ACE/Thirty Tigers)
Youtube video
Youtube video

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.