Pedal steel guitarist Bob Hoffnar has never been afraid of showcasing his instrument in realms disconnected from the C&W aesthetic, but it takes a brave soul to take on the catalog of the Shaggs. The legendarily arduous trio behind perennial “worst album of all time” Philosophy of the World, the sincere but hapless Wiggin sisters challenge every notion of musical competency. In light of the band’s reputation, Hoffnar approaches the music the only way he can: straight, without a hint of ironic detachment. Accompanied by Daniel Dufour on drums; Mike St. Clair on bass, trombone, and melodica; and Chris McQueen on guitar, Hoffnar cleans up arrangements, zeroes in on melodies, and treats the sisters’ tendency to play each song in their own personal tempo as a feature rather than a bug. “That Little Sports Car” becomes avant-garde jazz rather than incompetent rock & roll, and the infamous “My Pal Foot Foot,” Dorothy Wiggin’s ode to her beloved cat, sounds like a deliberately experimental sound painting. Unsurprisingly, “It’s Halloween,” “Sweet Thing,” and “Why Do I Feel?” – songs that already have reasonable tunes – come off best. The imaginative and expert Hoffnar mines the Shaggs’ extremely raw material for the gold their adherents always claimed was there.

***

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.