Wild Man Fischer

Pronounced Normal (Collectors’ Choice)

Between his highly unorthodox singing and the emotional heft of celebrating art so clearly tied to mental illness, Larry “Wild Man” Fischer is anything but easy listening. Once championed by Solomon Burke and Frank Zappa, Fischer’s vocal approach centers on ear-splitting, high-pitched ululations (often sung a cappella) that would’ve made Screamin’ Jay Hawkins keep screamin’. Zappa produced 1968’s forever-out-of-print An Evening With Wild Man Fischer, but a violent row over money severed that relationship. Pronounced Normal emerged from Fischer’s minor Eighties resurgence on then-nascent Rhino Records, and though not as jarringly revelatory as An Evening With, its musical accompanists – Barnes & Barnes of “Fish Heads” fame – prove kindred spirits, capturing the rich human essence of Fischer’s paranoia without turning it into a joke. The tribal-thumping title track turns sanity into a pathology all its own, “Frank” excoriates its namesake via a rhyming laundry list of perceived slights, and “The Mope, Part 2” takes would-be novelty dance numbers to a place Chubby Checker never dreamed of. Fischer’s cover of “Yesterday” isn’t exactly accomplished, but a more painstakingly realized summation of the song’s lyrical intent is hard to imagine. Though served against a New Wave-flavored sound-scape here, Fischer’s unrestrained, free-roaming radicalism remains timeless.

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Greg Beets was born in Lubbock on the day Richard Nixon was elected president. He has covered music for the Chronicle since 1992, writing about everyone from Roky Erickson to Yanni. Beets has also written for Billboard,Uncut, Blurt, Elmore, and Pop Culture Press. Before his digestive tract cried uncle, he co-published Hey! Hey! Buffet!, an award-winning fanzine about all-you-can-eat buffets.