Twinkles of hyperpop glitter and shimmering, soulful synth swish over R&B backbeats on Ultra, ULTRAvioletcoraline’s 15-minute introductory EP. Sophia Nance, synth player and violinist of neo soul art-rockers lluvii, follows up on her 2024 jazzy bedroom pop solo project, Modern Sophia, with a cohesive dispatch of pastel-hued daydreams that flow between genre influences. Where lluvii’s upbeat, Latin-infused tunes swagger with quick-footed cadences, Nance’s solo work slinks into a swaying register.

On EP opener “1/inf=/=0, to me” and rippling melody “Swamsong,” acoustic strumming anchors ear-catching audio effects and electronic experimentation, while “Crossed walk” emphasizes layered percussive elements, balanced by galactic grooves and precise chimes. The singer’s whisper-soft vocalizations float through her compositions like a blues-scented breeze, guiding the relaxed instrumental atmosphere from one sonic tenor to the next, falling into step with Y2K dance-pop licks on the front half of “Xchange” and psychedelic guitar meanderings by minute two. Final track “boytable (demo)” turns those vocals into three distinct layers: one hushed backbeat, one reverb-infused swell, and one steady storyteller. Meandering existential quandaries and fantastical revelations shape the shifting lyrical cosmos of these free-associative tracks, while bedazzled digital rhythms and real-world instrumentation collage into a hazy, danceable whirlwind.

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Caroline is the Music and Culture staff writer and reporter, covering, well, music, books, and visual art for the Chronicle. She came to Austin by way of Portland, Oregon, drawn by the music scene and the warm weather.