Youssou N’Dour
Egypt (Nonesuch) Like U2, a spiritual river flows deeply through the music of Senegalese singer Youssou N’Dour. Nevertheless, as a thematic work in praise of West African Sufis, the mystical branch of Islam, Egypt is unique in N’Dour’s rich oeuvre. As with Johnny Cash’s Precious Memories, it’s an album of intensely personal songs realized by a versatile and honest artist. More than five years in the making, Egypt pairs N’Dour and Egyptian master musician Fathy Salama. Like N’Dour, Salama has sought broad inspiration, including collaborations with Sun Ra and the Art Ensemble of Chicago. Here, Salama surrounds Senegalese musicians and N’Dour’s heavenly tenor with a traditional Egyptian symphony. With the exception of a misplaced flute in “Bamba the Poet,” the eight tracks resound successfully. “Tijaniyya” finds N’Dour’s golden tones bouncing through a lively, orchestrated rhythm, while Salama’s string arrangement on “Mahdiyu Laye” is simply divine. The lyrics may be too esoteric for a U.S. audience, but there’s no mistaking their underlying intent and heartfelt delivery. Egypt isn’t the powerhouse heard at N’Dour’s famed concerts. Instead, it’s sonic poetry backed by ancient melodies and elegant cross-pollinated rhythms. N’Dour’s Egypt is Mother Africa embracing itself in a spiritual hug.
This article appears in July 30 • 2004.