Alejandro Escovedo

Por Vida (More Miles Than Money)

One prays Alejandro Escovedo heals quickly. If nothing else, Austin’s rock & roll Garcia Lorca – poet, dramatist – owes all those he’s touched a follow-up to 2001’s A Man Under the Influence, his indie breakthrough. Not to be confused with an upcoming tribute album in Escovedo’s name, this Por Vida is a limited-edition local fundraiser disc piñata-ed from his Man Under the Influence live adventures. Don’t be fooled by the label imprint either, found titling one of Escovedo’s other Bloodshot Records ripostes, More Miles Than Money: Live 1994-96. Both live discs document career high releases (With These Hands previously), but Por Vida has the edge in its single tour snapshot, and maybe material, too. Sad-eyed opener “Wave,” plus KGSR high-rotations “Castanets” and “Velvet Guitar,” all Under the Influence, anchor 72 minutes of Escovedo and band, proving why we love them. Similar to Live 1994-96, the best cuts here come courtesy of the Cactus Cafe, including the streetwalkin’ swagger of “Everybody Loves Me” and the street hassle of “Sacramento & Polk.” Asheville, N.C., is gifted a tender, acoustic version of “Follow You Down,” though the version they get of “I Was Drunk” is watered down. The Por Vida prize is two versions of “Sad & Dreamy (The Big 10),” rocked in St. Paul, Minn., and quoting Bob Marley (!) and the Velvet Underground, and another one sold at Austin’s Zilker Elementary with a chorus by and for whom it was originally penned: anyone who was ever disillusioned.

***.5

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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.