Oh, Beast!

(Perverted Son) Emerging from the ashes of local prog-punk stalwarts Zulu As Kono, Oh, Beast! hones in on the former band’s predilection for jagged cacophony from an entirely new angle. Whereas Zulu sought to blitzkrieg the listener with a six-man, double-drummer lineup, Oh, Beast! is a power trio with surgical strike precision. This six-track EP begins with “Cuhvulture,” a slurred spiral into the Ninth Circle that gets mired in a series of repetitious bass hiccups. Combined with pads of retro-futuristic synthesizer noise and eerie, helium-pitch chants, the song would make an excellent theme if The Omega Man ever gets remade. “The Sand/Ron N. Nude” could be interpreted as a malevolent, bottom-heavy ode to Ron Jeremy (or not), while “Ho-Ha-Ho” swirls a Jesus Lizard smash-and-grab with bluesy Beefheart Dadaism. Turning away momentarily from quick stops and sharp turns, the tribal rhythm of “Space Machine Gun” posits Oh, Beast! as brothers in arms with Pong, a sensible double billing if there ever was such a thing. Taken in tandem with their lock-step live shows, this disc portends a splendorous post-apocalyptic career for Oh, Beast! should it come to that.

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Greg Beets was born in Lubbock on the day Richard Nixon was elected president. He has covered music for the Chronicle since 1992, writing about everyone from Roky Erickson to Yanni. Beets has also written for Billboard,Uncut, Blurt, Elmore, and Pop Culture Press. Before his digestive tract cried uncle, he co-published Hey! Hey! Buffet!, an award-winning fanzine about all-you-can-eat buffets.