Southpark Meadows, Saturday 14

The Thin White Duke and the Thin Prince of Darkness. Quite a team. Word has it
that Nine Inch Nailman Trent Reznor practically begged David Bowie for a chance
to open this tour – such is the crowned prince of industrial mayhem’s adulation of the Duke. And
it’s not just an opening gig, either. The two team for five songs at the end of
NIN’s set, which many rock & roll pundits see as a chance to bring two
different generations of musical worshippers together. Bowie, who apparently
dispensed with the hits on his last tour several years ago, will have to hold
his own against Reznor’s rage-driven, wham-bam stage show, however, which many
are hoping he can do with material from his new Eno-produced Outside album. Reznor label signees Prick, and ex-Tin Machine, Bowie-sideman Reeves
Gabrels open.

CRUST, SWEETPEA, GUT

Emo’s, Friday 13

The ever-delightful Crust return to Emo’s this Friday the 13th – blood, guts and all – with their new video “Chlamydia Is Not a Flower” (a sentiment to which I can
only add a hearty scratch), which they’ll be showing before their set that
previews new material from their upcoming Foodeater album. Crust’s John
Hawkins wasn’t nearly as rude as it may seem when he told me that the album
will be out “when it’s finished.” You can bet, though, that neither Crust,
Sweetpea, nor Gut will have any problem being rude on stage. – Ken Lieck

LUTHER ALLISON

Antone’s, Friday 13

Chicago’s other blues label, Alligator, has high hopes for Luther Allison, a
West side bluesman, who caught fire in the late Sixties only to extinguish his
career in the U.S. for European stardom. Well, he’s back, and judging from his
new album Blues Streak, Buddy Guy better watch out – there’s someone gunning for his audience. Allison can belt it out with a
classic Buddy Guy screech, and play urban Chicago blues that are
positively wicked. Were he to get even half the rabid audience that Guy gets at
Antone’s, you can be sure Allison will be back soon. No opener.

WOMEN IN JAZZ

Live Oak Theatre, Friday 13 & Saturday 14

Year four and a new venue for the jazz divas of Austin, but no matter where
they are, they always cast a smoky, Cole Porter spell. Friday James Polk backs
Pam Hart, Tina Marsh, Hope Morgan, Mady Kaye, and Judith Miller. Saturday look
for Connie Kirk (call the Chron, Connie), Karen Chavis, Jacqui Cross,
Willie Nicholson, and LaDonna Jones.

MEDESKI, MARTIN & WOOD

White Rabbit/Emo’s, Friday 13/ Saturday 14

It’s my belief that as popular music homogenizes into Bush, people will turn
to jazz looking for strong musicianship, improvisational fearlessness, and
real rock & roll values. Meet the missing link. MMW are an organ,
bass, drum trio from NY, who hold the interest of a grateful phish blues
traveling nation (as witnessed on some H.O.R.D.E. dates this summer), with
their long, loping funky jams that rocket through the constellations of jazz,
rock, R&B, and everything outside and in-between. Nothing else quite like
it, and already I’m hearing major-label imitations. Like last time: two shows,
two clubs, two different nights, two different crowds.

KVRX PRESENTS

Chicago House, Sunday 15

Originally a benefit for KVRX, this show, which features the talents of four
fine Austin ladies – Abra Moore, Laurie Freelove, Lourdes Perez, and Diana Jones – now seeks to save Chicago House. Pass the basket down the pew and give ’til it
hurts.

JOEL NAVA

Tejano Ranch, Sunday 15

Both C&W and Tejano purists will hate Joel Nava, screaming that Nashville
has body-snatched Austin. But then Arista Texas has always had its work cut out
for it in this burg, and nobody would demonstrate that more aptly than Port
Lavaca, Texas, native Joel (pronounced in Dah-Veed fashion, Joe-El) Nava
and his dream to morph country music and Spanish-sung Tejano into one. His
debut is currently getting the big push, so leave the snobs at home, and check
out the homeboy with a glitter in his eyes.

EINHEIT BR�TZMANN

Electric Lounge, Monday 16

Einsturzende Neubauten drummer F.M. Einheit and guitar deconstructionist
Caspar Br�tzman team up for airplane/car crash noises on Merry
Christmas
, while “a pile of bricks and some sheet metal” were requested for
their live show. Hmm. Bring a crash helmet. Polio and Corpone open.

QUICKSAND, CIV, SMILE

Liberty Lunch, Tuesday 17

On paper, a great triple bill. Quicksand and CIV are NYC post-hardcore
devotees that should compliment each other nicely. Quicksand take complex time
signatures, inject them with hardcore fierceness and punk rock tempos, with the
whole thing sounding as in your face as Rage Against the Machine. CIV are more
on the straight and narrow hardcore path, and are seeing some radio play thanks
to their grasp of the genre’s fundamentals. Smile? Well, they’re the Orange
County punks who aren’t just banging away like hundreds of others, but have a
sound of their own, and some songs.

ROBBEN FORD & THE BLUE LINE

Steamboat, Thursday 19

Robben Ford is no stranger to Austin, and still the best way to describe him
is as a West Coast version of Eric Johnson. Like Austin’s new age Hendrix, Ford
is by now a veteran guitarist, who’s slick, clean sound makes the passion in
his playing all the more naked, and therefore razor- sharp. Unlike Johnson – whose one-time bassist Roscoe Beck remains a Blue Liner – Ford is primarily a blues player, and the combination of modern, guitar hero
aesthetics, and classic three-chord progressions makes him a favorite of fans
with their feet in several different guitar camps. His new one, Handful of
Blues
gleams fiercely. ALSO PLAYING

Friday: Superchunk, Chris Knox, Liberty Lunch

Saturday: Swine King, Hollowbody, Gourds, Hole in the Wall

Sunday: Paco de Lucia Sextet, Bass Concert Hall

Monday: Earthpig & Fire, Black Cat

Tuesday: Holly Near, Cactus Cafe (Wednesday, too)

Wednesday: The Selector, Contradicks, Back Room

Thursday: Los Pinkys, Continental Club

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.