Heaviness is a function of subject as often as downtuned guitars and bass distortion, and that blend of cochlear bludgeon and emotional distress finds its fullest flower in doom metal. The petals open widely on Cough’s third disc. This fearsome Richmond, Va., foursome indulges its love of all things dark and dreary through the viscous, minor-key thud/grind of “Masters of Torture,” “Haunter of the Dark,” and “Dead Among the Roses.” Soaring psych-rock guitar solos slashing through the dust, Still They Pray stirs a muddy compound reminiscent of Electric Wizard – little surprise given that the UK legends’ singer Jus Oborn produced. The blackened “The Wounding Hours” and acoustic title cut add variety, but Cough’s doom reaches maximum potency without them.

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Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.