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The inevitable slump following the atomic “Submarine Blues” of this Gothenburg, Sweden, quartet’s self-titled 2007 debut nevertheless bottles a lightning shot or four of moonshine psych-blues. Analog-armored rifle shots in the crack title track, as well as 1960s rave-up “Ungrateful Are the Dead,” jacket another lysergic nod in mood alternator “Uncomfortably Numb.”
This article appears in August 26 • 2011.
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San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993. More by Raoul Hernandez
