While Clenching the Fists of Dissent, Machine Head’s lead guitarist, Phil Demmel, makes his descent Into the Void to briefly discuss the bands punishing new album, The Blackening, due March 26 on Roadrunner Records.
Into the Void: A lot of people feel like they already know what to expect from Machine Head, since the bands been around for more than a decade now. How is The Blackening turning a new page for the group?
Phil Demmel: I really feel like it was the last record, Through the Ashes of the Empire, which really turned a new corner for Machine Head. After all of the struggles with labels and everything else, the outlook of the band became very focused and determined. This is only the second real Machine Head album as far as Im concerned. People that think they know the band because theyve heard Burn My Eyes or Burning Red really need to check this out, because its not the same.
ITV: The one thing that really sticks out about The Blackening that separates it from the rest of Machine Heads stuff is the guitar work. You and [singer/guitarist] Robb Flynn seem to just run wild. With songs reaching into the 10-minute range, theres obviously not a real concern for commercial singles. What led to that change in direction?
PD: We got to the point where we really asked ourselves who we were writing this for. After that, we just let go and started to really do what we wanted to do. There are still going to be singles. Were going to edit down Now I Lay Thee Down and Aesthetics of Hate for music videos, but we wanted the album to really reflect what were all about.
ITV: This was the first whole album that you worked on with Machine Head. How was that experience for you?
PD: Ive been playing with Robb for as long as I can remember, before we were even in Violence together. I feel comfortable bringing ideas to the table, and Robb and I were really feeding off of each other in terms of the guitar playing.
ITV: How do you feel Robb Flynns work with the Roadrunner United project effected the sessions for The Blackening?
PD: If anything, I think it detracted from it a bit, only because a couple of those songs would have been really good Machine Head songs, especially The Dagger.
This article appears in February 16 • 2007.



