Credit: Photo by Pedro Napolinario

Esperanza Spalding

Thursday 14, Paramount Theatre

Milton + esperanza, the latter Spalding’s August reveal, ranks among the bassist‘s best. At one with Brazilian pioneer Milton Nascimento, 82, the inveterate adventurist, 40, co-crafts a moment of stunning liberation – firmly jazz, Latin, and even Lennon-esque (an exquisite cover of “A Day in the Life”). Billing this performance as two musicians, a pair of dancers, and a tour through her eight LPs, the Portland, Oregonian might even sample ATX. Both Chamber Music Society (2010) and Radio Music Society (2012) manifested at a piano in her Travis Heights home when she briefly HQ’d here in the decade previous to those works.   – Raoul Hernandez


Credit: Photo by Maclay Heriot

King Gizzard and the Lizard Wizard

Friday 15, Germania Insurance Amphitheater

Few bands have looked (intentionally or not) at a subgenre in need of sprucing up and said, “Yeah, I can fit in there” quite like the Australian sextet gazed upon “jam band,” noticed a distinct lack of AOR rock vocals, goofy sci-fi concepts, and heavier guitars, and slithered in. Thus did King Gizzard and the Lizard Wizard release more than two dozen albums in 14 years, everything from thrash to electronic frippery to records that scream, “Ask me a Zappa trivia question, literally anything.” KG and company will be playing a three-hour megaset – no wonder they are beloved. Strap in.   – Joe Gross


KVRX 30th Anniversary

Friday 15, Mohawk

Thirty years is a respectable number for a lot of things: careers, marriages, home mortgages. For a college radio station still hitting the FM waves in an era dominated by digital streaming, this round number marks an equally impressive milestone. This all-ages anniversary party for UT-Austin’s student-run station (which shares its frequency with KOOP 91.7) pledges performances by local artists including TC Superstar and Matador Sphere, record-spinning by station manager alum DJ Gross Y’all, free screenprinted T-shirts courtesy FSG, and special-edition hot dogs by way of Grandpa’s Glizzys. Ticket sales chip into the station’s annual fundraiser to keep radio alive for generations of the next 30 years and more.   – Amber Williams


Blood Incantation

Friday 15, Come & Take It Live

Blood Incantation’s Hidden History of the Human Race paved Come & Take It Live into some chariot of the gods runway in 2019 – far proggier than cosmic full-length debut Starspawn three years earlier – but the pandemic erased the tour for subsequent ambient pivot Timewave Zero. Fourth LP Absolute Elsewhere now forges the Colorado quartet’s entire oeuvre into death metal’s Dark Side of the Moon. Recorded in Berlin with Arthur Rizk and guesting both Tangerine Dream master Thorsten Quaeschning and Swedish keyboard guru Nicklas Malmqvist of Hällas, the latter of whom tours this album, Absolute Elsewhere lands an ultimate event horizon on Riverside Drive.   – Raoul Hernandez


Jeffrey Martin

Saturday 16, Mohawk

Jeffrey Martin writes the kind of songs that can weigh on your soul – a litany of heavy reckonings and leaden revelations. Last year’s fourth LP, Thank God We Left the Garden delivered the Texas-born, Portland-based songwriter’s most striking work yet, each song grappling with a wary reconciliation of the world and the self. At his best, Martin balances a lyrical heft that sits somewhere between David Ramirez and Richard Buckner, yet even amid the heaviness, he continues tracking toward an elusive light. Fellow Oregonian Bart Budwig opens, working the mood swings between wild howling roots and somber dirges.   – Doug Freeman


Give Back Kick Back

Saturday 16, Sunny’s Backyard

As Thanksgiving looms large, take time to support the Central Texas Food Bank at this weekend’s first annual Give Back Kick Back. Hosted by community-minded hip-hop artist Soupmakesitbetter, the joint showcase/market organizes local artists for a good cause. Vendors include ultra-cool clothing purveyors Lofi Vintage, family-run scoop enthusiasts Luv Fats Ice Cream, and harm reduction experts NICE Project. Genre-bending trio Passiflora provide a soul-infused soundtrack, plus beats from the Deli and Flobama. Entry is free, but attendees are strongly encouraged to donate – think non-perishable goods, gently used clothing, or a good old-fashioned cash donation.   – Genevieve Wood


Mariah Carey’s Christmas Time

Sunday 17, Moody Center

An internet meme argued that the lyrics to Mariah Carey’s “All I Want for Christmas Is You” served a backhanded compliment (“I don’t want a lot for Christmas” – just you). But Queen Carey is so much more direct. Dozens of hits she’s penned and shot up the charts over 15 studio albums and a couple of soundtracks tell us the pop diva and dazzling vocalist would rather purr than sting. Her emotional, sultry pop, R&B, and gospel goodness keeps us singing along (if failing to match her astonishing range). New music cometh. The Christmas Time tour readies fans, her “lambs.”   – Christina Garcia


Bradley Middle School Band

Sunday 17, Parker Jazz Club

As part of an ongoing program to showcase young players coming up in the Central Texas jazz world, Parker Jazz and the Texas Jazz Society present the Bradley Middle School Band. Directed by Karlos Elizondo, the program gives junior high school students a chance to not only perform before live audiences outside of family and friends, but also to learn professional skills they can carry into actual music careers. All proceeds from ticket sales go back to the school, with family able to livestream the show for free. Nice to see Austin’s famed U-18 scene includes more than just punk and rock.   – Michael Toland


Credit: Photo by Cam Kirk

Big Boi

Monday 18, ACL Live

Of course, MC/producer Big Boi, born Antwan Patton, cut his teeth and grew up alongside André 3000 as the legendary hip-hop duo Outkast, but he’s more than made his way as a solo artist. His exceptional 2010 solo debut, Sir Lucious Left Foot: The Son of Chico Dusty, cleared any doubt he could walk the road alone. His subsequent work, including 2015’s Big Grams with electro/trip-hop duo Phantogram, has only solidified his standing as one of hip-hop’s greats. Even his most recent project, 2021’s Big Sleepover, a choppy collaborative project with longtime associate/producer Sleepy Brown, has much to offer for your truck-rattling desires.   – Kahron Spearman


Geto Gala, Cha’keeta B, Nubia Emmon

Tuesday 19, Hotel Vegas

Jake Lloyd and Deezie Brown’s recharged Geto Gala project returns with a weekly residency at Hotel Vegas through November. The ideally yoked duo have realized a complete experience, releasing their fantastic, baseball-themed full-length Major League on Bandcamp this month. Femcee Cha’keeta B mastered the concept of getting in and getting out (and sometimes getting off) in her potent and concise 2023 EP Where the Wildflowers Grow. Vocalist/MC/songwriter Nubia Emmon offers throwback feels on tracks like “Give ’em Hell,” reminiscent of Nineties R&B star Smooth. She’s featured on an excellent hook for Cha’keeta B’s 2023 single “Heartbreak Hotel.”   – Kahron Spearman


La Doña Credit: Photo by Maria del Rio

La Doña, Midnight Navy

Wednesday 20, Empire Control Room

Roll out the red carpets for La Doña, the soul-stirring “femmeton” (feminist reggaeton) project of Cecilia Cassandra Peña-Govea. Blending her hometown’s hip-hop history with a scholarship of corrido songwriting, the proud San Francisco native grounds her musical output in community-based activism. September full-length Los Altos de La Soledad saw Peña-Govea confront global injustice with tracks like “Corrido Palestina.” Riding high off last month’s ACL Fest performance, Chicano soul superstar Midnight Navy delivers saxophone virtuosity with an ultra-smooth support slot. Tomorrow’s deluxe expansion of 2023 EP De Melón is sure to sharpen his winning combination of classic boleros and contemporary R&B.   – Genevieve Wood


Chase Baird Quartet

Wednesday 20, Monks Jazz

Jazz saxist Chase Baird stands as a sterling example of the young moderns, taking inspiration from leading lights like Donny McCaslin and blending unusual outside influences (alternative rock, electronica) into his otherwise bop-focused music. The Austin-based sax slinger played and recorded with talents as diverse as Chaka Khan, Brad Mehldau, Jakob Dylan, Mike Stern, and drum god Antonio Sanchez, of whose band he was a member. For this rare local show he’ll be joined by like minds Carter Arrington on guitar, Sam Pankey on bass, and Adam Jackson on drums. Check out “Cryptic Dream,” his latest single with keyboardist Enrico Solazzo.   – Michael Toland


Interpol Credit: Photo by Pieter van Hattem

Interpol, …And You Will Know Us by the Trail of Dead

Thursday 21, Moody Amphitheater

The turn-of-the-century post-punk revival comes screaming into the Moody Amphitheater. Brooding New Yorkers Interpol basically invented it, alongside Williamsburg neighbors Yeah Yeah Yeahs. Paul Banks’ downcast tenor and the band’s muscular musicianship on debut album Turn on the Bright Lights ably channeled late-Seventies gray-raincoat-and-digital-delay-owning English bands like Joy Division and the Chameleons. …Trail of Dead were their local cousins, chopping up Sonic Youth’s alternate-tuned No Wave pop with Pink Floyd spaciness and the Who’s explosiveness. Heady LPs such as Source Tags & Codes told the tale, with dignity and sonic violence.   – Tim Stegall


The Bright Light Social Hour Credit: Photo by Andrea Escobar



Music Notes

by Derek Udensi

Seismic Dance Event

Friday 15 – Sunday 17, the Concourse Project

The seventh edition of the EDM festival continues a trend of massive electronic music headliners. This year’s spectacle features Gesaffelstein (Friday), Carl Cox (Saturday), Disclosure (Sunday), and Eric Prydz (Sunday) as its marquee names.

Give Back Kick Back Food Drive

Saturday 16, Sunny’s Backyard

Rapper Soupmakesitbetter hosts this food drive and vendor market benefiting Central Texas Food Bank. He brings along producer and frequent collaborator the Deli (For Your Ears Not Your Belly).

Love Is for Evermore

Sunday 17, Radio/East

The Bright Light Social Hour, Parker Woodland, and the Squirrel Show (aka Oliver Steck) perform at this second annual benefit for Evermore, a nonprofit organization aiming to uplift bereaved people.

MDK & the French Touch

Tuesday 19, Antone’s Records

Mentions of trips to Austin’s sister city Angers have become a hallmark of Blakchyl’s lyrics in recent years, yet it’s the French pals of local rap group Mindz of a Different Kind who come stateside for this collaborative performance. MDK goes to France from time to time to help teach English and put on hip-hop workshops in schools.


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

As the Chronicle's Club Listings Editor, Derek compiles a weekly list of music events occurring across town. The University of Texas alum also writes about hip-hop as a contributor to the Music section.

San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.

Kahron Spearman is a journalist and writer with bylines including The Austin Chronicle, Austin Monthly, Consequence of Sound, Texas Highways, and the London-based journal The Break-Down. He currently serves as Senior Editor at Atmosphere TV.

Tim Stegall contributed to The Austin Chronicle 1991-1995, and was a staff writer 1995-1997. He returned as a contributor in 2013. He has also freelanced for publications ranging from Flipside to Alternative Press to Guitar World. He plays punk rock guitar and sings in the Hormones.