Credit: Photo by Moses Alexander

Dillon Francis

Thursday 3, The Concourse Project

Moombahton pioneer Dillon Francis emerged on the electronic zeitgeist with a boost from Diplo, leading to their collaboration on the Maluca-featured smash “Que Que” and “Masta Blasta” from his debut mixtape, Westside! EP. The L.A. native is best known for earth-shaking festival jam “Get Low,” featuring friend-enemy-friend-again DJ Snake, as the lead track from his proper debut, Money Sucks, Friends Rule. 2023’s This Mixtape Is Fire TOO, the sequel to one of his most beloved mixtapes, is a forward-paying love letter to dance music collaboration. More recently, the 37-year-old teamed with producer Albert Hype for a pop-punk-inspired project called Sorry My Love.   – Kahron Spearman


Reckless Kelly & Friends

Thursday 3, The Long Center

From their celebrity softball jams at the Dell Diamond to their annual Braun Brothers Reunion in Idaho, Reckless Kelly has become a force for convening the independent country scene. As the rocking roots group looks to celebrate their third decade together, they gather an all-star roster of fellow songwriters for the Texas Music Scene Independence Eve Party. Among the artists joining the quintet for the early celebration are Lone Star legends like Alejandro Escovedo, Kelly Willis, Jason Boland, and Jack Ingram, and the next generation with Calder Allen, Lilly Hiatt, and Ellis Bullard. Kat Hasty provides the opening fireworks.   – Doug Freeman


HAWK DAWG 3

Friday 4, Mohawk

Back for a third helping, HAWK DAWG throws the hot dog party of the year. Tear Dungeon unleashes their bloody, punky, in-your-face chaos-core theatrics, Queen Serene brings dreamy punk precision, and Dregs rounds it out with raw, sludgy urgency – all soundtracking the Independence Day glizzy-guzzling event. Between sets, brave contestants battle for hot dog dominance, fueled by franks from Zee’s Wiener System. Starts early, ends messy. Competition signup hits inboxes after ticket purchase. All ages, all stomachs welcome.   – Kyra Bruce


Credit: Photo by Athen Smith

Gummy Fang Album Release

Friday 4, 29th Street Ballroom

The comparisons to close friends Being Dead are easy – Willow Braun’s light falsetto soars atop her jangly guitar chords like Falcon’s, and Cody Dosier produced their self-titled debut, officially released last week – but while that psych-surf trio revels in the weird, Gummy Fang takes a jazzier, quieter, unabashedly twee approach to pop. Fructose’s basslines, nimble and melodic, drive songs almost as much as Braun’s guitar, and the eight-track LP, often slow and introspective, plays like a minimalist yet meticulous slice of indie perfection. Being Dead side project Important Group opens the release show alongside the Opera and DJs Hollywood Jones and Maurice.   – Carys Anderson


J’cuuzi Credit: Photo by Ismael Quintanilla III

Freedom Farce: A Star-Spangled Sh*tshow

Friday 4, The Courtyard ATX

Reject our nation’s narratives and revel in resistance this Fourth of July with a day full of performance and protest. J’cuuzi’s relentlessly electric performance style will close out the spectacle, preceded by groove sweethearts Redbud, punk-infused synth duo Almost Heaven, and self-described “thrash funk” group Little Brain. Surprise performances and DJs spinning protest tunes soundtrack a deliciously on-the-nose water gun splash zone, plus vendors and more. Celebrate community over country and counterculture over compliance, while the state of the union grows increasingly dire.   – Caroline Drew


Dr. James Polk’s Centerpeace

Friday 4, Elephant Room

In a town with more jazz legends than we remember, Dr. James Polk outshined them all. His Sixties group James Polk and the Brothers, which included W.C. Clark, Angela Strehli, and Martin Banks, was one of the first integrated bands in Austin. Following a decade with Ray Charles as keyboardist, composer, and arranger, Polk lectured on music history at Texas State, joined Elias Haslanger’s scene staple Church on Monday, and led Centerpeace. Though it’s been just over a year since he passed, Centerpeace keeps Polk’s repertoire alive. Forget fireworks – for ATX jazz fans, there’s no better Independence Day party.   – Michael Toland


ChicoSelfie Credit: Image via Bandcamp

Freedom Is Free Fiesta

Friday 4, Hotel Vegas

“An immigration fundraiser benefiting Austin Sanctuary Network,” this four-act fiesta asks for your coalition alongside its faith communities, immigrants, and “other community members of civil society.” ASN counts more than a dozen local orgs, from the First Unitarian Universalist Church of Austin to the Workers Defense Project, and here adds a quartet of affirming orgs: ATX’s of Montreal, pop pranksters Slomo Drags (10pm); Latin indie-pop foursome ChicoSelfie (10:45); Alex Alcocer’s Latin psych-funk amalgam Los Alcos (11:30), and headliners Los Desechos (12:30am). The latter preview upcoming LP bow Cumbias Levantamuertos as the local genre all-stars raise the dead.   – Raoul Hernandez


ATX #4Real: Big Tree’s Bday Kickback

Saturday 5, Flamingo Cantina

March full-length BNWM 2: The Come Up represents local rapper Big Tree #4Real as a broke brother with money and a deliciously OG delivery. “Pay Up,” he demands, and you will following his clean, clear, commanding understanding of hustle. Exhibit A, his birthday: DJ Berlin (9pm), Traccboy23 (10), RawWitDaDaw (10:20), College of Hip Hop Knowledge & the Dropouts (10:50), Blakchyl (12mid), and DJ Berlin (1am). His associates in centerpiece act CHHK notch a solid decade of Wu Tang Clan-like dominance in Austin behind nine MCs performing together, and here set up Blakchyl, aka Te’aunna Moore, who damn near stole Empire Garage’s RazzFest in May.   – Raoul Hernandez


Credit: Courtesy of City of Austin Office of Arts, Culture, Music, and Entertainment

Summer Hillside Concert Series

Tuesday 8, Oswaldo A.B. Cantu / Pan Am Neighborhood Park

Austin’s longest-running free concert series is back! For the 67th year, Pan Am’s hillside stage welcomes families and community members to dance and revel in free music at the park. This year’s series kicks off with Seguin-based group Conjunto Cats, local Tex-Mex conjunto ensemble Grupo Cruzsante, and Tejano pop stars Daniel Lopez y Aventura, plus DJ Party Pete gets the party started. Every Tuesday through the rest of July promises a similarly packed lineup – get there early to get a good spot!   – Caroline Drew


Hombres G and Enanitos Verdes

Tuesday 8, Moody Center

Forty years separate the self-titled 1985 debut from Madrid’s Hombres G and April’s ¿Por qué no ser amigos? Post New Wave, Spanish G-Men David Summers (v/b), Rafael Gutiérrez (g), Dani Mezquita (g/p), and Javi Molina (d) plied lithe, skittering guitar pop with sweet, breathy, built-in nostalgia. Notching four decades, the same quartet fleshes out its highs with help from guests including Carín León, Mario Bautista, and Morat. Tour co-stars Enanitos Verdes date back further, 1979, and positively swooned the first Besame Mucho fest at COTA with MTV bounce. Of the original Argentine trio, guitarist/singer Felipe Staiti remains, with frontman Marciano Cantero having passed in 2022.   – Raoul Hernandez



Music Notes

by Derek Udensi
Sophia Warren Credit: Photo by Blue Yonki

High Sunn

Saturday 5, Chess Club

At the conclusion of his current tour, Justin Cheromiah plans to put the dream pop/shoegaze outfit he launched as a 14-year-old on an indefinite hiatus. The San Francisco native released what’s currently set to be High Sunn’s last album, welcome to life, last year. Locals KindKeith and philo* support.

Sixpence None the Richer

Thursday 10, Gruene Hall

Best known for Nineties hit “Kiss Me” and their catchy cover of the La’s’ “There She Goes,” Sixpence None the Richer reunited last year for a tour celebrating the 25th anniversary reissue of their self-titled album. Tickets to the Gruene Hall stop during last year’s tour sold out, so this summer presents another opportunity to catch Justin Cary, Leigh Nash, and Matt Slocum back home in New Braunfels. Alex Wong opens.

BMI Showcase

Thursday 10, Still Austin Whiskey Co.

BMI’s latest showcase at Still Austin highlights the stylings of alt-pop Universal Mexico signee Sophia Warren, alternative rapper Fak3 5miles – performing two weeks after his Grim Village collective released debut album H.I.T. (Hidden in the) – Keelan Donovan, and Waves in April.


Want to see all of our listings broken down by day? Go to austinchronicle.com/calendar and see what’s happening now or in the coming week.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Carys Anderson moved from Nowhere, DFW to Austin in 2017 to study journalism at the University of Texas. She began writing for The Austin Chronicle in 2021 and joined its full-time staff in 2023, where she covers music and culture.

Caroline is the Music and Culture staff writer and reporter, covering, well, music, books, and visual art for the Chronicle. She came to Austin by way of Portland, Oregon, drawn by the music scene and the warm weather.

As the Chronicle's Club Listings Editor, Derek compiles a weekly list of music events occurring across town. The University of Texas alum also writes about hip-hop as a contributor to the Music section.

San Francisco native Raoul Hernandez crossed the border into Texas on July 2, 1992, and began writing about music for the Chronicle that fall, debuting with an album review of Keith Richards’ Main Offender. By virtue of local show previews – first “Recommendeds,” now calendar picks – his writing’s appeared in almost every issue since 1993.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.

Kyra Bruce is a freelance writer and videographer from Tulsa, Oklahoma—bringing her love for fringe music scenes and her docu-concert series People To Wave To with her to Texas.

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.