Credit: David Brendan Hall

“That was short but sweet,” opined one young woman after Fat White Family’s truncated set. The British sextet had obviously drawn the shortest straw when it came time to recalibrate the Black stage, already running late only an hour past doors on Saturday.

Credit: David Brendan Hall

The Londoners made the most of their brief appearance with tunes from August’s stateside debut on Fat Possum, Champagne Holocaust. The band, which lists its influences as “Manson family jams,” arrived one by one as instruments got soundchecked, then abruptly launched LP opener “Auto Neutron,” a woozy, melodic drone as much punk rock sneer as psychedelic haze.

“Is It Raining in Your Mouth?” rolled a Velvety jangle in its sarcastic attack on contemporary music. Wasting little time with banter, the Family flipped back-to-back killers, parodying the Fall frontman’s legendary ego with “I Am Mark E. Smith” and crooning a potential pop anthem in “Touch the Leather,” a hit in the hands of someone more conscious of poise than potency.

Then it was right into the vaguely countrified “Bomb Disneyland,” on which FWF finally gave into the progressive frenzy that had lurked at the edge of the set since the start. Their exit came in a hail of feedback. The right combo of slashing/smoldering and don’t-give-a-fuck attitude – I believe that’s called rock & roll.


Check out our complete Fun Fun Fun Fest coverage.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Michael Toland started writing about music in 1988 on the Gulf Coast, moved to Austin in early 1991, and has inflicted bylines upon the corporeal and digital pages of Pop Culture Press, The Big Takeover, Blurt, Amplifier, Austin.citysearch, the Austin American Statesman, Goldmine, Sleazegrinder, Rock & Roll Globe, High Bias, FHT Music Notes, and, since 2011, The Austin Chronicle.