Digital Wild Credit: Photo by David Brendan Hall

Chill Russell proved an aptly named outfit to jump-start Empire’s outside showcase, Friday’s frigid temps keeping the crowd intimate as the local quartet powered through last year’s pair of psych-infused EPs. A. Sinclair then blazed through eight songs in 25 minutes. Guitar onslaught, 2016 debut Get Out of the City rang “Let It Go” like Band of Horses’ aggressive side, while the title track rolled a restless highway anthem and “Suit Up” closed with the bandleader and fellow guitarist Michael Booher on their knees in a shred-off.

Darkbird’s Kelly Barnes also broke through the cold with a fiery, dramatic flair. The quintet’s goth-tinged ballads soared and twisted against a moody, melodic wave of guitar carrying Barnes swooning “All There Is” with a Neko Case-like vocal power. “Lost Dogs” drove a growling intensity.

Last year’s Best New Band at the Austin Music Awards, Calliope Musicals attempted their trademark dance party, but the quintet’s Day-Glo antics couldn’t budge frozen fans. The Digital Wild fared better even as the crowd thinned, the headlining fourpiece’s electro R&B grooving behind trip-hop percussion and the dual vocal attack of Chantell Moody and Seth Woodward. The former’s soulful swell and sharp rhymes lifting “Riskin'” and “Plume” from an upcoming EP proved a determined anthemic burst.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.