Glen Hansard Credit: Photo by Sandy Carson

Brooklyn Vegan Day Party

Hotel Vegas/Volstead Lounge, Thursday, March 15

Glen Hansard‘s guitar is a beautifully beaten machine. With three splintering holes gaping in a discolored crescent from the body, worn by time and the relentless strum of the Irish balladeer’s balance of defiance and despair, it seems a physical manifestation of the battered wounds he brandishes in songs. Pitched between the anthemic pop of Icelandic sextet Of Men & Monsters and the equally uptempo polish of Sweden’s We Are Serenades, Hansard commandeered the outside stage of Brooklyn Vegan’s three-ring bash with a combination of vocal power and presence. Following an a cappella opener of traditional ballad “Spencer the Rover,” he soared above the generator hum with “Love Don’t Keep Me Waiting” and “Low Rising” and joked self-deprecatingly about sensitive singer-songwriters through the middle of “What Happens When the Heart Just Stops” before finally unplugging and pulling the crowd close for a sing-along of “Say It to Me Now.” Meanwhile, inside the Volstead, local female quintet Feathers unloaded an impressive if still developing burst of heavy dual percussion and scuzzy psych with a danceable edge, setting up Ringo Deathstarr‘s encompassing darkwave drone. Hospitality failed to hook behind the angular, punkish vocals; but Cymbals Eat Guitars buried the inside of Hotel Vegas with its raucous pop hooks.

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Doug Freeman has been writing for the Austin Chronicle since 2007, covering the arts and music scene in the city. He is originally from Virginia and earned his Masters Degree from the University of Texas. He is also co-editor of The Austin Chronicle Music Anthology, published by UT Press.